We are extremely excited to present Microclimates, the latest release from Canberra artist Reuben Ingall.
We have been big fans of Reuben’s music since his stunning 2012 release Dealt and we are very proud to share this latest effort.
Ingall’s music is a mix of lonely pop and glitchy, psychedelic soundscapes created by processing guitar, voice and other sources through an array of home-made software patches.
The resulting songs are at once intimate and sincere but also cloaked with a sense of detachment, as if the technology is interfering with the music, like a lost transmission floating in the ether.
It is music for a forlorn future from a unique and talented artist.
Microclimates is available digitally and also as a limited edition CD with custom UV-printed sleeves featuring the stunning cover illustration from Robbie Karmel (pictured below).
Head over to the Feral bandcamp store here to check it out, or listen via the player below.
We are proud to present Splintered Time, the latest release from Brisbane artist Perfume Garden aka Errol Hoffman.
Splintered Time finds Hoffman continue his experiments into synth-heavy post-punk drawing on past influences such as Joy Division, Cocteau Twins and the film scores of Vangelis, to modern boundary-pushing artists such as Oneohtrix Point Never and Tim Hecker.
Composed using his extensive collection of old Casio keyboards, Hoffman counterbalances the ominous, subterranean drones and primitive drum machine beats with icy melodies that pierce through the sludgy depths with glistening clarity.
The wonderful peeps at whothehell.net premiered the album earlier this week calling it “the perfect soundtrack to enjoying your own post-apocalyptic fantasy on these long mid-winter nights”.
Check out the full review from whothehell.net here.
Listen to Splintered Time via the player below or download from the Feral bandcamp store here
It’s been a long time between drinks for Clairaudience; started in 2005 by Feral Media founder Danny Jumpertz and his wife Caroline the band released an instrumental improv debut album in 2007 as part of the POW WOW new music series.
In 2013, once core members Danny and Caroline had emigrated to the USA, the band found new members in Franzi Szymkowiak, Kerrii Cavanagh and Heidi Patalano, and started gigging around New York’s Lower East Side, East Village and Brooklyn.
Sun Damage is the band’s first release with the current line up and is a summery mix of power pop soulfulness, gaffer taped together by the DIY aesthetic that drives the band. The release also marks the first results of an ongoing collaboration with producer Abe Seiferth (Yeasayer, Eleanor Friedberger).
Featuring stunning artwork by former band member Martin Kirkwood, Sun Damage is available digitally and also as a limited edition cassette via the Feral Media bandcamp store here.
Setec has just released Glassworks: Reworks, the third and final single from last year’s stunning Brittle As Bones.
The single is backed by four amazing reworks of the title track by Super Magic Hats, Lovely Head, 0point1, and Norwegian artist Sep Nabi.
Download the single via the Feral bandcamp store here, or listen via the player below.
Setec recently sat down with the wonderful Skydreams to discuss the single and other musical oddities. Read the interview here.
Our first release for 2015 comes from Software of Seagulls, the electronic alter ego of Brisbane musician/composer Chris Perren.
Sunrise Industry is the result of four years of gathering, slicing, and assembling found sound, audio ephemera and recorded improvisations from a host of Brisbane musicians. The result is a unique brand of electronic music which owes as much to math rock and neo-classicism as it does to mid-2000’s folktronic artists such as The Books, Manitoba and Four Tet.
The sophistication of the compositions befit Perren’s high level of formal composition training, without losing the childlike fascination and joyful curiosity of sonic exploration.
Listen to Sunrise Industry via the player below, or download it from the Feral bandcamp store here.
You can also check out the wonderfully kaleidoscopic video for the title track here
It’s that time of year again and we are thrilled to present the fourth instalment in our annual Strain of Origin compilation series.
What started as an inter-label collaboration with Brisbane pals Lofly back in 2010 has now evolved into a showcase of some of our favourite and most exciting artists currently active in the Australian underground music scene.
This years compilation features exclusive contributions from Lower Spectrum, Electric Sea Spider, Super Magic Hats, Naps, Pimmon, 0point1, Setec, Tim Fitz, PMM, Power Moves, Shisd, Spartak, Pale Earth and Aheadphonehome.
As with the artists themselves, the compilation crosses a diverse range of styles making for a compelling and forward-thinking listen from start to finish.
As always Strain of Origin IV is provided free of charge for your listening pleasure. Consider this our gift to you for all the love and support throughout the year.
Download the comp at the Feral bandcamp page here, or listen via the player below. And while you’re there check out the previous instalments: I, II & III
We are proud to present Mialle Tapes, the debut full-length from Sydney artist Lortica aka Alister Hill.
Alister creates murky and immersive soundscapes by sampling and re-sampling found cassettes and processing them through his array of pedals and vintage cassette recorders.
The result is a challenging collection that is part euphoric sedation, part claustrophobic nightmare that burrows into your subconscious with its layers of buried melodies and decaying textures.
Fans of William Basinski, the Caretaker and Grouper take note! Lortica is a new name to add to this esteemed list of compelling artists.
Mialle Tapes is available digitally via the Feral bandcamp store here and will be released as a limited-edition cassette via Danish label Phinery later this month.